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In 1916, the officer of the German secret service Elsbeth Schragmüller trains the end-of-career exotic dancer Mata Hari as secret agent. Schragmüller has finally an ear directly in the influential circles of Paris, while Mata Hari can uphold her mundane life despite lack of engagements. Both have great hope for this intelligence mission.

With his unconventional investigative methods, Armin Trost regularly drives his superior and his affected colleague Reinhard Hinterher to despair – and even leads to his own suspension. He's just been suspended from duty again for his interference in a hostage situation when a musician is murdered.

Victor Bolscho, the aging owner of a dance company, is thinking about retirement. But when he is presented with the script for a musical, he decides to try and fulfill his biggest dream: staging his own musical. However, things do not go according to plan and Victor has to deal with all kinds of problems, from financial problems to the infidelity of his wife to a serious road accident involving many company members.

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When wealthy college student Richard Oetker is kidnapped and held for a hefty ransom, state police officer Georg Kufbach becomes obsessed with bringing the kidnapper to justice. This film is based on a true story.

Eva Habermann plays a bright, young woman who has to choose between two very different men. Miguel Herz-Kestranek embodies the charismatic singer Roman and Gunther Gillian the nature-loving veterinarian Christian. The other roles are brilliantly cast with Christina Plate and Antje Hagen. Director Peter Weissflog shot in and around Munich as well as against the background of the picturesque scenery on the Tegernsee.

After several strokes of fate ends a rage eruption of the otherwise so quiet power engineering technician Felix Grünler with a criminal complaint for assault. A grateful affair for his sister-in-law Karin, who forges an intrigue to gain the inheritance of her mother-in-law. She succeeds in having Felix admitted to psychiatry as incompetent. He is determined not to get into therapy. For doctors, this confirms the picture of the labile patient. But in the other patients Felix gives his consistent anti-attitude in the long run benevolent recognition.

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